mapping the inner landscape
giving shape to what often goes unseen
dome is the space i created to hold these processes, a space where inner movement becomes form
where fragments, emotions, and states can exist, unfold, and be seen
I am Diana, a conceptual creative director, artist, mandala therapist, photographer, designer and art director. My work explores the hidden stories of the Soul, the archetypes of the unconscious, and the symbolic landscapes of emotion and memory.
On this website, you will find works created and owned by me — an evolving collection of these explorations.
i’m drawn to raw emotion,
to the beauty within cracked and imperfect spaces.
to stillness. to observation.
to the kind of elegance that appears when nothing is forced.
to the beauty within cracked and imperfect spaces.
to stillness. to observation.
to the kind of elegance that appears when nothing is forced.
if something here resonates with you, you are already part of the process.
there is something tactile in the way i create — something
intuitive, not always logical.
some works begin with a scent,
others with a few chalks I decide to mix.
intuitive, not always logical.
some works begin with a scent,
others with a few chalks I decide to mix.
It’s a process of alchemy — where feeling becomes form,
where heaviness turns into light.
where heaviness turns into light.
This is not only about what I create, but how it feels to move through it.
My work lives in inner depth and quiet transformation. It moves through subtle dialogue — between what is seen and unseen, what is felt and what lies beyond perception.
I am
I see travel as a movement through inner and outer landscapes — through memory, time, culture and identity.
These journeys become the foundation for the worlds I create for brands: concepts, visual stories, and sensory experiences shaped by place and emotion.
These journeys become the foundation for the worlds I create for brands: concepts, visual stories, and sensory experiences shaped by place and emotion.
Born from fragmented recollections of living in old Limassol, In Between explores the space where identity and landscape begin to blur. Dry grasses, salt air, oxidized bronze, field traces and remembered gestures become the vocabulary for an imagined brand-world — one that exists between object, archive and atmosphere.
project: in between . limassol fragments
memory extracted as an olfactory artefact:
dry earth
salt field
liminal grass
dry earth
salt field
liminal grass
“In Between”:
between person and place
between memory and erosion
between artifact and living matter
between person and place
between memory and erosion
between artifact and living matter
in between proposes branding not as identity-making, but as the construction of a living poetic world.
I created DOMe as a fashion project born from travel, culture, nature, and the poetry of everyday rituals. Through tactile natural fabrics, sculptural silhouettes, and quiet avant-garde but simple forms, I created a brand that invites people to experience comfort as self-discovery. A little universe crafted over three years with love, intuition, and artistic vision.
Travel has always been a doorway into another dimension for me. I draw endless inspiration from what may seem ordinary: frescoes and legends, vernacular rituals, the way people move, speak with their hands, approach daily life and beauty. These impressions became the language of the brand.
Every DOMe piece began as a travel diary — a sketch, a note,
a fragment of architecture, a gesture observed in everyday life.
a fragment of architecture, a gesture observed in everyday life.
each creation translated personal discoveries into wearable forms
universe built over three years
Short fashion-film “Ritual In Transfigured Time” written and directed by Diana, 2019, Firenze
a dialogue between ancestry, identity and future imaginaries
polimoda’s diary 2017-2021
rather than documenting. education, the project reimagines it as a site of authorship.
Four years of research, experimentation and visual storytelling at Polimoda.
A living archive of fashion, image-making and visuals developed.
Publishing, fashion film, photography and artistic research unfold here as one evolving practice — where fashion is approached not only as industry, but as cultural language, memory and experimentation.
A living archive of fashion, image-making and visuals developed.
Publishing, fashion film, photography and artistic research unfold here as one evolving practice — where fashion is approached not only as industry, but as cultural language, memory and experimentation.
“DNA” Magazine curated by Diana, 2020, Firenze
A page from Diana's thesis project ALTAR27 + KUROKO, 2021, Firenze
“the observer must become participant, because that is the only way he can have the double experience of being the observer and being observed.” — marina abramović
Exhibition Transitory Objects by Marina Abramović, 2018, Palazzo Strozzi
giving shape to what often goes unseen
for me, painting is a way of mapping the inner territory.
where fragments, emotions, and states can exist, unfold, and be seen
My works are not illustrations. They are visual environments, clusters of energy, portals. They exist not to explain — but to be. And in that presence, to invite the viewer into a silent dialogue with their own inner matter. To find an echo there. And perhaps — a new resource.
My practice is a synthesis of experience and ongoing inner exploration. I believe in art as a power that can transform space and perception — to enter into dialogue, to leave a mark on memory, to open new horizons of feeling, of self-knowledge, and of understanding the world.
collection 02 — eyes wide shut (2022-2025)
A Midsummer Night’s Dream T-Shirt, limited edition
Oversized fit premium cotton t-shirt
Movement Becomes Balance. 2021. Paper, ink. 21 х 29.7 сm
Happy Elephant. 2022. Paper, acrylic, charcoal, oil pastel. 21 × 29.7 cm
Flicker. 2022. Paper, oil pastel, pastel. 21 × 29.7 cm.
In Between. 2021. Paper, charcoal. 21 × 29.7 cm
Becoming. 2022. Paper, oil pastel, pastel. 29.3 × 41.6 сm
The personal mandala is a mirror. It does not ask for perfection, only for honesty. To create one for yourself is to trace the architecture of your current mood, your hidden balance, or your broken symmetry. It is a therapeutic fingerprint – a secret circle where you are both the artist and the healed.
For a brand, the mandala becomes a vessel of transmutation — a shield and a sacred signature. It does not merely decorate; it alchemizes. Each circle encodes your values into a living geometry: symmetry as the anchor of trust, flow as the breath of creativity, and a center as the philosopher's stone of your purpose.
To wear a brand mandala is to operate not from strategy alone, but from clarity consecrated by design. It is not a logo. It is a promise – drawn in repetition, fired by intention, and worn like a seal on the soul of your work.
a structure that grows, responds, organises, heals, and transforms — inner constellation: a living mandala experience
they are living system that can become identity, healing tool, spatial language, and brand intelligence
A mandala is a map for the soul. More than a geometric print, it is a silent conversation between the center and the infinite. Each circle, petal, and repetition speaks of wholeness, unity, and the quiet beauty of returning to your core. To look at a mandala is to witness the universe organized into a single, breathing moment.
In a world that pulls us apart, the mandala brings us back. We need them as anchors – visual mantras that interrupt the noise. They remind the eye where to rest and the mind where to begin. Creating one is an act of self-preservation; it draws a protective boundary around your attention, leaving no room for chaos.
mandalas are the maps of the inner world
mandala becomes a technology of meaning. a symbolic tool. a haling process. a brand system. an image becoming object, space, and experience, but also...
Visitors enter the space carrying an emotion, intention or inner state they wish to explore, embody or release.
Stepping beneath the dome, they are held within a responsive mandala environment that breathes, shifts and surrounds them.
Stepping beneath the dome, they are held within a responsive mandala environment that breathes, shifts and surrounds them.
Under the Dome of Light is an immersive installation where one of my painting becomes a living mandala in space.
Derived from the original work “Under the Dome of Light,” the gesture expands into a suspended field of light — a circular form held above the participant, diffused through atmosphere and scale.
Derived from the original work “Under the Dome of Light,” the gesture expands into a suspended field of light — a circular form held above the participant, diffused through atmosphere and scale.
let’s create something meaningful together
Art Direction
Photography
Storytelling
Travel Guides
Creative Collaborations
Commissioned Artworks
Exhibitions / Installations
Brand or Editorial Work
Web Design
Workshops / Mandala Therapy
Photography
Storytelling
Travel Guides
Creative Collaborations
Commissioned Artworks
Exhibitions / Installations
Brand or Editorial Work
Web Design
Workshops / Mandala Therapy
I am Diana, a conceptual creative director, artist, mandala therapist, photographer, designer and art director. My work explores the hidden stories of the Soul, the archetypes of the unconscious, and the symbolic landscapes of emotion and memory.
My work is rooted in connection, symbolism, and intentional design.
on ths website you will find work created and owned by me.
My work is rooted in connection, symbolism, and intentional design.
on ths website you will find work created and owned by me.
A selection of my artworks is available for commission.
If you’re interested, I’d be happy to share the catalogue and discuss ideas tailored to your vision.
If you’re interested, I’d be happy to share the catalogue and discuss ideas tailored to your vision.
i’m open to collaborating on projects that feel thoughtful, experimental, or purpose-driven— whether in art, photography, creative direction, or therapeutic spaces.
email: diana@domeform.com
web: domeform.com
telegram: @diana_dome
If you have questions, ideas, or just want to connect, feel free to reach out—I’d love to hear from you.
looking forward to creating something meaningful together. Diana.
looking forward to creating something meaningful together. Diana.
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All works presented here are part of my personal and artistic journey and remain my intellectual property.
Please respect the integrity of this work — do not copy, reproduce, or use it in any form without permission.
Please respect the integrity of this work — do not copy, reproduce, or use it in any form without permission.
© 2026 Diana — dome — All rights reserved
the dome
21 x 29.7 cm., acrylics and chalk on paper
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
movement becomes balance
21 x 29.7 cm., ink on paper
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
inbetween
21 x 29.7 cm., chalk on paper
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
dissolution
21 x 29.7 cm., acrylics on paper
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
metamorphosis
21 x 29.7 cm., acrylics on paper
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
continuum
21 x 29.7 cm., acrylics on paper
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
shedding
21 x 29.7 cm., acrylics on paper
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
under the dome of light
64.7 x 90 cm., acrylics on canvas
When we first checked out our new headphones, we noticed the box said 'improved bass by cool. We had to wonder, is this marketing jargon, or the real thing? But it only took a moment to realize that bass was not kidding.
